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This pair is unused and quite extraordinary. What you are looking at is a pair of 1920s Slingerland Banjo & Drum Co. Gold Sticks Purple End with original water decal in their original box with inner sleeve. These are the Slingerland “Fancher Model”. They are stamped Slingerland 1-H on one stick only.
Read moreLudwig utilized two different types of stamps and three different stickers to indicate that the anti-galvanic finishing process was used on its chrome-plated shells. By gathering information from chrome-plated drums and exchanging emails with the president of the company which provided plating for Ludwig, a timeline of the different stamps/stickers is developed. These interior stamps/stickers are another useful tool to authenticate and date vintage Ludwig drums.
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There are some interesting aspects to entrainment. For example, if you set a few metronomes at different tempos and then put them on a surface that can move a bit, the metronomes will entrain to one tempo regardless of the tempo setting (don't know if anyone's tried this with parrots).
Read moreThis set is a 1960s Ludwig Hollywood set. It has a 22X14 bass drum, a 12x8 and a 9x13 mounted tom. The older Hollywood sets had two 12s and sometimes two 13s. The kit also features a 16x16 floor tom. The drums have Keystone badges with serial numbers that places their born-on date around 1967. I have placed an 8-lug matching Super Classic snare with the set, but I received a very nice chrome 14x5 snare with the kit. I'm sure it was the snare that was bought with the kit. That was the standard snare that went out with so many Ludwig sets.
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“I first became aware of Tony Williams from my drum teacher John Wadham. He had me listen to Tony playing with Miles Davis. “I want you to listen to this drummer and then tell me what you hear “. After what seemed to be a long while as the record turned – the hiss was silenced by the sound of a furious trumpet, drums, and upright bass. It sounded so raw - like the musicians were right there in the room with me.
Read moreI read with interest your article on the Buescher True-Tone Snare Drum.I am attaching a couple of photographs of an old snare drum that I thought might interest you. The skins are almost certainly animal skins, and the snare wires are wire wound around silk. The clamps appear to be nickel plated and are free floating, not connected in any way to the main shell.
Read moreI saw this one at a NAMM Show in the late 1990s, maybe early 2000s. At that time Leedy was trying for some type of comeback. I got the drum from Sam Bacco who at the time was associated with Leedy. He told me that he located one long-lost piece of this material from Slingerland and there was enough material left over to make a Leedy Broadway Standard snare drum. Sam told me that the finish was made with melted guitar picks (you can see some un-melted guitar picks in the finish).
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Cympad Optimizers
So the fine folks at Cympad sent an assortment of their cymbal washers for me to review. Cympad washers are made from a cellular foam material and can be used in place of traditional felt washers. The Optimizer washers are pretty close to the same size as any typical felt washers for rides, crashes and hi hats, and effects cymbals. I felt that these would be a good starting place to do an A/B comparison with my felt washers. I used several different types of ride cymbals: My “holy grail” Bosphorus 21” Master Series ride/crash cymbal - extremely thin with a small bell, an old EAK Zildjian K 22” ride that is very low pitched and dark with a big bell , and an older 20” A Zildjian rock ride - pretty heavy and bright with a medium sized bell.
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Cympad Shark
Ding! Ding! Ding! Folks, we have a winner! This one tops my “George’s Picks” list. From Cympad’s Website: “The gated drum damper enhances the attack while keeping the tone of the drum. The Shark’s exclusive hinged design allows the device to float on the playing surface— subtly reducing the volume and resonance by reacting to the intensity of the stroke. Rugged, re-useable, with plastic carrying case included.”
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Legendary drummer Mike Clark’s latest CD titled ‘MIKE DROP’ is another powerful example of just how incredible a player he is. Featuring Michael Zilber on saxophones, Matt Clark on piano, with Peter Barshay on bass…It was recorded at Oakland, California’s 25th Street Studio where the sound and clarity is amazing… According to Mike, most of the tunes were first takes - just the way he likes it.
Read moreSince I’m a little old school and like conventional crashes, I decided to use this one as a substitute for my 20” China cymbal that I always use with my kit. This thing definitely explodes quickly and gets out of the way. It has the same sharp and cutting characteristics of a China. I give it a thumbs up.
Read moreI purchased an old drum in Nashville in the mid-90s and have never been able to identify its manufacturer or its value.
Read moreThe July 2021 issue of Not So Modern Drummer has been delayed for a few days. We normally send it via email on the last day of each month but ran into a last minute issue with our subscriber email list. It needs to be cleaned to be in compliance with spam regulations, or else be barred from sending bulk email. This usually takes 24 to 48 hours so look for it within the first week of August. Sorry for the delay.
Read moreMorris Arnold Lang, known to his friends as “Arnie”, passed away recently following an unfortunate accident. Arnie was a talented musician, educator, prolific writer, and craftsman (Lang Percussion), devoted husband and father. In his nine decades on this planet, he gifted us with the legacy of his music, educational books/videos, many students, family, friendship, and amazingly crafted drums in the spirit of Billy Gladstone. While one always wishes for more time with such wonderful people, we are reminded how blessed we are to have lived in his presence.
Read moreI now own several Ludwig Peacock Pearl snares, but all are 5 x 14”. In late 2020, I found out that Paul “Jamo” Jamieson was thinking of retiring and paring down his drum collection. Jamo is well known for his many contributions to the music industry as a drum tech and cartage/rental businessman. He has worked with some of the biggest names in the music business and accumulated some amazing drums along the way. In one of our many engaging conversations, Jamo mentioned that he had some cool vintage drums that I might be interested in. One of these was a 6.5 x 15” (yes, 15”!) Ludwig Super-Sensitive in Peacock Pearl.
Read moreNot much news to report from me personally other than my new obsession with rare Gretsch Renown 57 drums. You know the ones; they come in red, blue and black 57 Chevy colors with a white chevron that is trimmed in chrome. I
Read moreThe story of the snare was vague, but from the extended family members of the original owner from whom I purchased it, it goes something like this; he bought it and never played it for whatever reason, and the later generations always respected the drum and never touched it. Not a lot of details but a very graceful unembellished straight-to-the-point explanation. They didn’t mince words or get into an epic narrative.
I am so grateful that it was left unscathed.
So now, here, is my unplayed, unused, 100% original MINT 1950 Slingerland Krupa Model Radio King No. 143 WMP 5.5” x 14” Solid One Piece Shell “Radio King” Engraved Nickel over Brass Rim 3-Point Strainer Tin Straps Snare Drum in it’s original Canvas Bag.
Later in 2006, I would start drum lessons with legendary drummer Joe Porcaro in Thousand Oaks CA. Joe had many of Tony Williams’s transcriptions, and even had a story about his son Jeff and Tony recording together at Capital Records studio, saying, “Tony hurried in at the last minute, did the session and left soon after to catch a flight.” On Les Dudek’s ‘Zorro Rides Again’ , Tony’s sound is unique and identifiable - K Zildjian cymbals, Gretsch drums in 24" bass drum, 18' 16" 14" floor toms 14" 13" mounted toms, and 14" snare drum with Remo Black dots on all the toms and snare. His new signature sticks had dimensions similar to a 2B.
Read moreIn trying to determine whether the Buescher Company also did drums among their band instruments, I came across your post/article on a Buescher drum, confirming for me that they did in fact make (or at least distribute) drums as well.
Read moreOne would think that the less expensive drums would have the DuCo finishes but these four snares are perfect examples of higher end (and somewhat rare) drums whose owners chose the less expensive shell finish option. In my opinion this is like putting Sears tires on a Ferrari…but I still will not pass up a rare snare drum with an inexpensive finish.
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