Since I decided to come out about my hearing issues, a lot of people have asked me for some insight. It seems I’m not the only one who has paid a price for playing too loud, too long and too often.
Read moreLiving With Hearing Damage
Cymbal Guarantees
Most companies will guarantee a newly purchased cymbal against certain types of breakage, but it ends there. If a player breaks a replacement cymbal, all love is lost and the cymbal will not be replaced. The rational is that the owner/player must be doing something wrong or just plain abusing their bronze.
Read moreEverything I Know About Bearing Edges
I'm So Confused
And so you should be. Options you may hear about bearing edges include: round-over, 30 degree, 45 degree, dual-45, reverse 45, 45 with round-over, bull-nose, baseball bat, vintage round-over. There are also different theories, applications, claims, boasts, and myths.
We’ve Got Something To Say
One night, while sitting at a club not far from where I lived, one of my favourite local players came off the stage and made his way to my table. He was not his usual smiling self, and as he sat down he said, “Some people just got nothin’ to say.”
Read moreA Brief History of the Butt Plate (plus some other stuff)
Photo © Christoph Hähnel (Dreamstime ID 18749883)
The coiled-steel snare wire is a wonderful invention, and a huge improvement over, uh, animal parts. But making it happen required the simultaneous invention of the snare End Plate and its introduction opened a can of worms.
Read moreTraditional Grip From The Ground Up
All Crotchety
The traditional grip fulcrum will always be in the crotch of the thumb and first finger. Hold out your left hand (unless you're a lefty) as if you were going to shake someone's hand and put your stick firmly in the above-mentioned crotch.
How to Succeed
Buddy Rich said it well enough: "Be on time, wear a clean shirt and swing your ass off!” Despite Buddy's penchant for homely sweaters, his advice goes a long way toward spelling out the expectations (the basic requirements of the job) of being a pro, or at least desirable. I used to tell my business students something similar: Show up on time, wear the right clothes, and do what you were hired to do to the best of your ability.
Read moreMy Latest Drum Blog; Jim Blackley Page 97 Up Close and Personal
I am a staunch disciple of renowned drum teacher Jim Blackley. His death in 2018 at the tender age of 86 silenced his voice, but it needn’t cut us off from his legacy and extraordinary teaching.
Read moreFunctional Guide to the Drum Set
Yes, we've preserved the traditional functions, but nowadays we prefer to do more with our instruments.
Read moreFaster Still!!!
Faster Still!!!
When a young drummer asks about the best way to develop speed, the usual answer is “practice slowly”. And no, that's not an oxymoron. Your ability to play fast is 100% determined by the amount of control you have over your limbs. And the best way to develop control is through … wait for it … slow, regular, mindful practice.
“Free” is Good, Right?
just how do you decide whether you are going to do a job when there's no money to be had. In short, WIIFMAMB (What's is in it for me and my band)
Read moreFuhgeddaboudit
A few weeks later, as I practiced, I was intrigued with not only how smooth my stroke had become, but also how much speed I'd achieved in a relatively short time. And the key component to this admirable accomplishment? I didn't pay attention.
Read moreRebutting Drumming Myths
4-Way Independence Rules
Our limbs typically cannot act independently, and so we must train them to co-ordinate their actions as a team. We call it independence, but what we're really talking about is “co-ordinated interdependence”... the limbs are co-operating and not acting independently.
My Top Dozen (or so) Drum Set Exercises
My Top Dozen (or so) Drum Set Exercises
Read morePracticing Rules !!!
The fifteen commandments of practicing
Of course there are no rules, other than just do it. But there are good ways to practice and not so good ways. My goal for practice time is that it will invariably lead to the development of sound playing and sound playing habits. And it has to be fun.
Read moreHow to Learn a Song in 10 Ounces of Caffeine or Less
Recognition vs. Recall
The goal is not to memorize the entire tune and arrangement. We just need to be able to identify and recognize the various sections as they come along. As long as we can follow the tune, the rest is just a case of getting organized. I like to develop a good understanding of the 'landscape' and leave the details until later. If I were to focus on the drum breaks, for example, I’d miss a lot of important information.
Pick Your Target
One thing that I always admired about Buddy Rich was the way he set up figures. He had a way of announcing and drawing attention to horn lines that was absolutely beautiful.
Read moreAre you talking to me?
We’ve all at one time or another been advised to "just listen” and we would be told the answer to whatever it is that’s is confusing us..
Read moreOccam Was Onto Something (w Simon Phillips videos)
(editor’s note; It is clear from this image that William of Ockham invented the traditional grip 1000 years ago)
Micro Practice
We do ‘micro practice’ all the time. We work on a single thing: single strokes, double strokes, lines from Stick Control and the like. Why? Because it works. Reducing our focus to a single item reaps big rewards. When learning a new figure, I will often take a 2-beat or even a 1-beat section and work on it exclusively. Then, when I tackle the whole thing, I’ve got a good handle on each part.
Bass Drum Two-sies
It's always a good time to work on bass drum doubles. I find the first page helps with the timing and execution.
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