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The first vintage & Custom Drum Magazine, since 1988
Kent occupies a small but interesting corner of the vintage drum world. The drums were manufactured from 1946 to 1977 in Buffalo, NY. Bill Kent said, “The inspiration and the purpose of Kent Drums was to give the youth the opportunity to be able to have an affordable drum outfit which was known as a starter set.”
Read more“After the rock heyday of the ‘60s, internal tone controls began to fade away and are now rather hard to find. (A lot of the vintage drums I’ve seen have had them removed -- and too often lost. Contending with ring is always an issue for many drummers, so let's examine the field of available 'damping'* options.”
Read moreThis past Spring Rich Katz hired me to do an appraisal of his drum set and collection that he donated to the Musical Instrument Museum in Phoenix. It is currently on display there. I do appraisals of drums/cymbals/percussion instruments for tax and insurance purposes, as well as for determining resale value. I charge between $100 and $500 for appraisals depending on the number of instruments and the amount of documentation and notarizing desired. For insurance and tax appraisals I base values not on current market value or collector value, but on replacement value which tends to run higher. For resale appraisals, I base the value on current market prices. I thank Rich for bearing with me in getting his appraisal finished and for letting me show his instruments in this article. Nice pictures, Rich!
Read moreThe Gretsch company, which is headquartered in Pooler, GA, published a Request for Proposal to find a home for an inventory of vintage 70s' Slingerland Timpani parts and pieces
Read moreI never met Charlie or any other of the Rolling Stones but I feel fortunate as I was able to indirectly help put a rare WFL drum Charlie owned back to original shape. Charlie acquired a late 30’s WFL twin snare drum that had off-set lugs and the type of strainers that often broke at the tip. Charlie’s drum had one broken strainer and his tech, Don McAulay was looking to find a replacement strainer
Read moreJoe's new address is a large two story building housing an enormous array of vintage snares, sets, and cymbals literally stacked up from floor to ceiling... It reminded me of the first time I walked into Charley Donnelly’s Newington, CT Drum Center in the mid - 1970’s -- Only on a much larger scale.
Read moreJust in time for Elvis Week in the middle of August. From the Jim Pettit collection. Refurbishing by Aaron Mlasko.
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I got these three snare drums a while back. The 1926 Ludwig & Ludwig drum catalog introduces “Genuine Stipelgold” to the drum market. As collectors we have seen the only “Stipelgold” finish on Ludwig drums but here are three mystery “Stipelgold” snare drums from different mothers (companies).
Read moreMy favorite finish on Ludwig drums is Oyster Black Pearl. I think every Ludwig collector loves this finish. When Ringo chose Oyster Black for his Ludwig drums, he made a great choice. They were perfect for the Beatles as they looked so good even on black and white TV. The 1970s version of this finish made a radical change. The pattern became bigger and the color became blacker. I love the seventies version of this finish, but I must admit I like the 60s version more. The Oyster Black finish survives to this day and the newer versions look great.
Read moreTrying to acquire all chrome Roto Tom’s especially the largest of 18 inches proved to be quite challenging. After a couple years of searching, bidding and buying all necessary parts and drums including entire collections to sometimes get just one piece I was finally ready to build the set.
This pair is unused and quite extraordinary. What you are looking at is a pair of 1920s Slingerland Banjo & Drum Co. Gold Sticks Purple End with original water decal in their original box with inner sleeve. These are the Slingerland “Fancher Model”. They are stamped Slingerland 1-H on one stick only.
Read moreLudwig utilized two different types of stamps and three different stickers to indicate that the anti-galvanic finishing process was used on its chrome-plated shells. By gathering information from chrome-plated drums and exchanging emails with the president of the company which provided plating for Ludwig, a timeline of the different stamps/stickers is developed. These interior stamps/stickers are another useful tool to authenticate and date vintage Ludwig drums.
Read moreThis set is a 1960s Ludwig Hollywood set. It has a 22X14 bass drum, a 12x8 and a 9x13 mounted tom. The older Hollywood sets had two 12s and sometimes two 13s. The kit also features a 16x16 floor tom. The drums have Keystone badges with serial numbers that places their born-on date around 1967. I have placed an 8-lug matching Super Classic snare with the set, but I received a very nice chrome 14x5 snare with the kit. I'm sure it was the snare that was bought with the kit. That was the standard snare that went out with so many Ludwig sets.
Read moreI read with interest your article on the Buescher True-Tone Snare Drum.I am attaching a couple of photographs of an old snare drum that I thought might interest you. The skins are almost certainly animal skins, and the snare wires are wire wound around silk. The clamps appear to be nickel plated and are free floating, not connected in any way to the main shell.
Read moreI saw this one at a NAMM Show in the late 1990s, maybe early 2000s. At that time Leedy was trying for some type of comeback. I got the drum from Sam Bacco who at the time was associated with Leedy. He told me that he located one long-lost piece of this material from Slingerland and there was enough material left over to make a Leedy Broadway Standard snare drum. Sam told me that the finish was made with melted guitar picks (you can see some un-melted guitar picks in the finish).
Read moreI purchased an old drum in Nashville in the mid-90s and have never been able to identify its manufacturer or its value.
Read moreI now own several Ludwig Peacock Pearl snares, but all are 5 x 14”. In late 2020, I found out that Paul “Jamo” Jamieson was thinking of retiring and paring down his drum collection. Jamo is well known for his many contributions to the music industry as a drum tech and cartage/rental businessman. He has worked with some of the biggest names in the music business and accumulated some amazing drums along the way. In one of our many engaging conversations, Jamo mentioned that he had some cool vintage drums that I might be interested in. One of these was a 6.5 x 15” (yes, 15”!) Ludwig Super-Sensitive in Peacock Pearl.
Read moreThe story of the snare was vague, but from the extended family members of the original owner from whom I purchased it, it goes something like this; he bought it and never played it for whatever reason, and the later generations always respected the drum and never touched it. Not a lot of details but a very graceful unembellished straight-to-the-point explanation. They didn’t mince words or get into an epic narrative.
I am so grateful that it was left unscathed.
So now, here, is my unplayed, unused, 100% original MINT 1950 Slingerland Krupa Model Radio King No. 143 WMP 5.5” x 14” Solid One Piece Shell “Radio King” Engraved Nickel over Brass Rim 3-Point Strainer Tin Straps Snare Drum in it’s original Canvas Bag.
In trying to determine whether the Buescher Company also did drums among their band instruments, I came across your post/article on a Buescher drum, confirming for me that they did in fact make (or at least distribute) drums as well.
Read moreOne would think that the less expensive drums would have the DuCo finishes but these four snares are perfect examples of higher end (and somewhat rare) drums whose owners chose the less expensive shell finish option. In my opinion this is like putting Sears tires on a Ferrari…but I still will not pass up a rare snare drum with an inexpensive finish.
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