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The first vintage & Custom Drum Magazine, since 1988
As I sit here wondering when life will get back to some sort of normal, I am pondering what to write about in a drum article that would make for a good distraction, yet relate to the state of things in the world today. One such drum that comes to mind for me is this WW II era Victorious snare drum. The very name Victorious is something that I think is appropriate because in due time, I feel we will all emerge stronger and victorious from the effects of Covid
Read morePlease allow me to introduce you to my WWII Restriction 1943-1944 Leedy Dreadnaught Victor Set In White Marine Pearl. I usually can finish a full set restoration in approximately two weeks, this set took almost two months. 11”, 13”, 15” 26”, 6.5” x 14”. It is simply gorgeous now.
Read moreSeveral years later I had the opportunity to work at the same club as the Tony Williams Lifetime when they were touring and playing the music that was on the “The OLD Bum’s Rush,” recording. He already had the big yellow Gretsch kit by this time with the 24” bass drum and multiple toms. Each night over the course of the week the band gelled better and on the final night it was truly amazing. The entire night was smoking; one tune would have been worth waiting the week to hear, let alone the whole night.
Read moreLudwig & Ludwig introduced Marble Pearl in 1928 and per Rob Cook’s book Drum Colors The Rebeats Color Swatch Book. This finish was listed from 1928-29, pretty short-lived and very rare. Personally I love the “ugly” finishes from the 1920s-30s.
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Rob Cook, founder of the Chicago Drum Show and Author of "The Complete History of Leedy Drums" and "The Leedy Way", gives us the complete history of the Leedy Drum Company. The amazing story begins with U.G. Leedy producing snare stands in his apartment in Indianapolis and evolves into becoming the largest manufacturer of drums in the world. Rob also teaches us about George Ways involvement in the rise and fall of Leedy.
Read morePart 2 uncovers another piece of the puzzle of how cymbals made their way from the orchestra to the rock band: the bass drum pedal and a device called a "clanger."
Read more1929-1930 was an important time for the Leedy Manufacturing Company. After the company was sold to Conn, the entire operation was moved from Indianapolis, Indiana to Elkhart, Indiana. The new Leedy company immediately introduced several important design changes which placed them firmly on the cutting edge of drum technology.
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Ludwig's Use of Paper Labels in 1971/1972 - Date Stamps and Date Codes - Rick Gier sheds light on this mystery.
Read moreAs a drum historian, Kelli has been collecting vintage and antique drum equipment, method books, photographs, and literature, creating a fine collection of resource material for a deeper understanding of the role her peers from 100 years ago played in the development of the drum set and how those innovations shaped the music we all listen to today. To help document her research, she has created a series of videos that address specific historical drum equipment.
Vincent Leef of Vitalizer Drums (formerly Polyphonic) is keeping the legacy alive by restoring Speed Kings and making them play like new. He shares the whole story of the pedal with us in this episode - from the journey through world war 2 through the 60's and 70's with Bonham and Ringo to its decline in the 2000's, and finally the current revitalization
Read more--For those of you that are not familiar with 1920s-30s “Sensitive” models, all that you have to remember is that the “Sensitive” mechanism is the set of snares that are internal and under the top head with the exception of the New Era-Sensitive that has two sets of internal Sensitive mechanisms.
Read moreThis is an 8“ x 14“ Slingerland Model 156 Super Gene Krupa Radio King snare drum in Black Diamond Pearl. Very special thanks to Brooks Tegler for his wonderful document explaining everything about this drum! Also, thanks to Mark Cooper of coopersvintagedrums.com; a great, educational vintage drum site.
Read moreI never saw one of these in person and I never imagined I would ever own one, I’ve been looking for years.
Well, one popped up online and I couldn’t believe my eyes.
“I like the smaller bass drums, although I look better behind a larger one. It's all bout the look, you know. Ringo looked good behind a 20" bass drum, but Abe Laboriel Jr. would not look good behind a 20" bass drum.”
Read moreA series about the sound effect instruments used in silent films 100 years ago, at that time known as "moving pictures," with host, Kelli Rae Tubbs and special guest, William F Ludwig III. The
Read moreThe early 6.5 X 14” Black Beauties have increased in demand and value. Of these, the 6-lug engraved Ludwig & Ludwig Black Beauties are some of the earliest and rarest.
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In 1934-5 Slingerland came out with the Broadcaster. Then oops, Gretsch said that’s our brand name, so Slingerland dropped that model name and the Radio King snare drum was born c.1935-6.
Read moreSometimes a set just thrills you to no end and gets your heart racing, this is one of those sets. Allow me to introduce my latest addition to the Studio 3T arsenal. 1963 Slingerland Gene Krupa Deluxe Outfit No. 1N with the upgraded Solid Shell 1-Ply Radio King 3-Point Strainer Snare all in Sparkling Blue Pearl.
13”, 16”, 22”, 5.5” x 14” RK.
Vintage, classic and antique cars are classified by the states and by insurance companies. There are monetary and legal ramifications of a car's age; insurance rates, allowed usage, registration fees, etc. And, of course, resale value. Much of vintage drums' classification comes from the world of cars and antique furniture and art, not grapes or wine.
Read moreMany vintage drum enthusiasts have taken advantage of the existence of serial numbers on drums as a relatively reliable tool for estimation of manufacturing dates. Many have compiled lists of drums’ serial numbers and date stamps to understand and exploit the relationship between them. Most cared little about why the serial numbers were there, but were just happy that the serial numbers were there to provide a rough tool for use in dating drums. As one learns more about how drum manufacturers used serial numbers, one begins to question the reason that serial numbers were used at all.
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