One lesson learned here is when you see a listing for a drum from 1976, think twice before believing that date. A related lesson is that if you have drum with a serial number in the lower part of Mr. Cook’s 917xxx – 1290xxx range, do not describe it as being from 1976. There is no harm just listing the serial number and letting others take their best guess. They will probably look it up online, and just perhaps they will see this article and think twice before declaring it to be from 1976.
Read moreAs I sit here wondering when life will get back to some sort of normal, I am pondering what to write about in a drum article that would make for a good distraction, yet relate to the state of things in the world today. One such drum that comes to mind for me is this WW II era Victorious snare drum. The very name Victorious is something that I think is appropriate because in due time, I feel we will all emerge stronger and victorious from the effects of Covid
Read moreLudwig & Ludwig introduced Marble Pearl in 1928 and per Rob Cook’s book Drum Colors The Rebeats Color Swatch Book. This finish was listed from 1928-29, pretty short-lived and very rare. Personally I love the “ugly” finishes from the 1920s-30s.
Read moreLudwig's Use of Paper Labels in 1971/1972 - Date Stamps and Date Codes - Rick Gier sheds light on this mystery.
Read moreMany vintage drum enthusiasts have taken advantage of the existence of serial numbers on drums as a relatively reliable tool for estimation of manufacturing dates. Many have compiled lists of drums’ serial numbers and date stamps to understand and exploit the relationship between them. Most cared little about why the serial numbers were there, but were just happy that the serial numbers were there to provide a rough tool for use in dating drums. As one learns more about how drum manufacturers used serial numbers, one begins to question the reason that serial numbers were used at all.
Read moreThe 6.5 x 14 was another story...the shell came to me wrapped in lime green glitter contact paper. This looked – as my good friend John Aldridge would say – “as ugly as home made soap”, and it was.
Read moreA fortunate byproduct of gathering information from vintage drums to create serial number-based dating guides is the large database of information about individual vintage drums which results is a great resource for other inquiries. This study looks at vintage Ludwig drums from the time when they possessed both date stamps and serial numbers to learn about production by day of the week.
Read moreThe Imperial lug was also used on bass drums and tom toms in the late 1930’s. Single as well as double ended lugs were offered. A backing plate was usually installed between the lug and the shell. Bass drums were equipped with either standard length lugs or extra long versions.
Read moreI acquired this drum a year ago as just a shell with one lug, throw and butt plate attached. It was riddled with countless dents and headed to the trash, luckily I was in the right place at the right time to rescue i
Read moreIf you have ever found yourself looking at an old vintage drum and wondering, “What year was this made?”, or “When did they first use this type of snare strainer?”, or “What’s the name of this unusual finish?”, then this vintage drum guide may be of interest to you. The purpose of this guide is to help identify the various types, models, and features of vintage drums during the years 1923 to 1965. I consider this period to be the “golden age” of American drum manufacturing. This
Read moreI think that this drum could have possibly been an un-cataloged special order. Everything points to a mid-1920s L & L DeLuxe snare drum (black nickel plating, 12 pt. floral engraving and DeLuxe copper plated/gold lacquered hardware) with the exception that the shell is nickel plated with the 12 pt. floral engraving showing through.
Read more….One such finish was called DeLuxe Marble and it was a short-lived finish that was painted on the shells to look like faux marble. The finish first appeared in the 1941 catalog and it lasted through WWII. Because a 10% metals law was put into effect during WWII limiting the use of metals on products, WFL was forced to design a drum made mostly of wood. That means that there were very few sets made in DeLuxe Marble that featured all-metal lugs and hardware made pre- WWII.
Read moreI got this one off of Reverb. This drum has been around for a while and the owner worked with me on an even lower price. WFL two-tone pearl drums are pretty scarce so this was a good drum to add to the collection.
Read more I like to think of John Aldridge as a “Drum Jedi Master”. He is an endless wellspring of drum history, wisdom, experience and creativity. In this sequel to Part 1, I wanted to share some examples of John’s unique custom works with personal insights from John about their design. Many of these drums are from my personal collection and are greatly treasured. It is my hope that drummers will not only appreciate John’s incredible versatility, but also realize that “drum art” can be truly personal. Drum engraving is not restricted to scrolls and florets!
Read moreLudwig first introduced Citrus Mod sometime in mid to late 1968 along with the finish Black Panther. When these two finishes were released, Ludwig was in between catalogs as catalog ‘67(printed in 1966) was the current catalog and it would be several years before catalog ’71 (printed in 1970) would be released. Citrus Mod was featured on the back of catalog ’71 but by the end of the year the color was discontinued and catalog ‘73 (printed in 1972) appeared and Citrus Mod was removed from the color options. This means is that unless a store had a set for display, a dealer had the color in a dealer swatch or you saw another drummer using a set in this finish, it was unlikely that it was known that the color even existed by most consumers when the finish first appeared. By
Read moreThe drums are Big Beat sizes 22" bass, 12" and 13" mounted toms, and a 16" floor tom. The snare was another story. I could tell it was a 1970s Black Beauty. Ludwig re-introduced the Black beauty snare in the late 1970s. They made Supraphonics both 5" and 6.5" and Super Sensitives 5" and 6.5". I don't know how many of each one they made. I'm sure that information is available. If you have one, they are great snares to own and very collectible. The snare was missing parts and the heads were taped up and cloth applied to kill any snare drum sound the poor drum tried to make. I could tell this drum was a diamond in the ruff.
Read moreSo here is one I hope you all can dig and my latest addition to the collection:
An immaculate 1952 WFL Porto-Pak Outfit No. 986P in Sparkling Red Pearl with era correct additional floor tom ordered with set. This was an estate sale treasure find!
Read moreThis set is without a doubt the cleanest and nicest "duco" kit I've ever seen. We all know that the hands of time are not kind to these 2 tone paint finishes and every set I've encountered has had numerous paint chipping, flaking, spider webbing etc. Basically killing the appearance. I was truly in awe. So a BIG THANK YOU to Chris Hawthorne at Hawthorne Drum Shop out of Pittsburgh PA for answering my million questions and sending ALL those pics!
Read moreWhite “Crystal” is one of Ludwig & Ludwig’s rarest finishes and was only around for less than two years, 1941-42. The Crystal finish was highly distressed, more like “Crustal”, I mean really beat up... as my good friend John Aldridge would say, “this drum is as ugly as home made soap”.
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