3 over 4 overkill
Read moreThis got me over the hump
I’ve always had a slightly strained relationship with 12/8, so I decided to work on a lot of variants to gain some control. Results turned out to be better than I’d hoped for.
Read moreTrading Fours In A Contemporary Time Space
Keeping the ostinato in your solo keeps you honest.
Read moreSimple But Challenging
Here’s a set of exercises for those of us who want to develop faster bass drum technique but don't use a double pedal. I find this type of graduated arrangement yields greater freedom when applying it to music.
Read moreDon't-cha-wanna-dance?
No, actually, I don't. This came into focus for me some years ago. It was one of those wonderful, serendipitous, off-the-cuff remarks that ended up being a defining moment. I was at the wedding of a close relative and one of the bridesmaids came over to me and tried to get me to dance. I politely declined (I’m even less into dancing than I am into singing). Her comeback was rather convincing: “When you hear the music, don’t you just want to get up and dance?” My response was even better: “No, I want to sit down and hit things!”
Read moreis this even a rudiment?
It occurred to me recently that I’d never seen anything on Double Paradiddle-diddles. Don’t even know if they’re a thing, but interesting nonetheless. I started by doing them hand-to-hand.
Read morePutting Your Finger On It - Part 2: The Thumb
My teacher used the expression "Feel the money." It was a reference to using the thumb the way you would to count out paper money. In effect, you use the thumb to help push the stick forward, causing it to arc around the first finger. If you're looking for pinpoint control and articulation on the cymbal, this is the way to do it.
Read morePutting Your Finger On It, Part I - "Regular Grip"
A lot of drum instruction focuses on hand and wrist movement. While it's important to understand these broad strokes, it's also important to look inside hand technique to see what's really going on. Each digit has a role to play in the grip and the stroke, and understanding what each finger is capable of can make a big difference in your playing.
Read moreCovid-19 Can't Stop Dave Grohl/Foo Fighters inspired Group Therapy
In addition to Dave Grohl, mentors Bill McFadden and Rodney Pino (musicians/ bandmates, and owners of No Nuts Cymbal Sleeves), started their first session with an electrifying drum circle that transformed a room full of reticent kids into a group of laughing foot tapping, and drum beating teens.
Read moreEd Soph: Exploring Improvisation and Developing Your Voice
It’s been a distinct honor and privilege to write about the recent Drum Channel video series presented by my former teacher, Ed Soph. I studied with Ed for more than four years while he was teaching at The Creative Music Studios in Wethersfield, Connecticut.
Read moreMore Fun with Stick Control
I like to mix things up with Stick Control. Here I’ve moved the figures to the snare and bass and laid a ‘funk’ ride pattern over top. These can all be played at the same tempo but the feel changes depending on where you put the hi-hat.
The Latin Clave* Demystified
It's difficult these days (maybe even impossible) to turn on a music station and not hear a Latin clave pattern. Dig deeper and you'll find clave rhythms or some derivative just about everywhere: the clave 'clap' of hip-hop, the bossa bass drum in Rosanna, the venerable Bo Diddly beat … it's all clave.
Read moreBeware The Thick Black Line
Consider for a moment the following bits of wisdom:
• At a wine tasting: “We only drink merlot”
• From an online ad for a 16-inch cymbal: “I won't play it 'cuz I only play 18 inch crashes”
• And how about this morsel from years ago: “There’s no place for the saxophone in jazz”
It crops up all the time: the invisible, immovable line that divides the acceptable from the unacceptable.
Read moreTranscription of Jimmy Cobb's performance with Miles on Ah-Leu-Cha
With the passing of Jimmy Cobb this past month it is important to remember not only his most popular performance on Kind Of Blue, which defined “Cool Jazz”, but also his innovation and contributions in straight ahead be bop.
Read moreInstant Download Drum Books from Hudson Music
Popular drum books are available as instant downloads from Hudson Music.
Read moreWhat Weaker Side?
Hmmm ... there seems to be some sort of problem with this thing called the weaker side. While I agree with the general concept that our non-dominant side is often less adept than our natural side, there are other factors to consider in this issue outside of equality.
Read moreLess is More? Really?
This phrase, “less is more,” not only really irks me but I believe it can and has caused the lack of development in young musicians…..especially drummers.
Read moreI'm of two minds on this...
Or maybe three. But definitely not one. It's an exercise I find myself doing a lot as I work on things that challenge me: trying to get my mind -- not just my limbs -- to focus on two things at once.
Read moreCure For Idle Hands - Stick Control Unleashed Part I
The exercises in Stick Control are great for getting your hands moving, so why not use them to get the other limbs involved as well? The following interpretations move the stickings around the entire drum set. While the idea is to get all four limbs working, it’s best to go easy at first, i.e. start with two limbs, then add the third (and then the fourth) when ready.
Read moreAll In A Day's Work
OK, full day of studio work, jazz lounge gig in the evening, sit-in at the after-hours club ... and it's still not enough! Well, some of us really are that obsessed with playing, but 8 or 10 or 12 hours a day? Sure…
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