These three drums were ordered at the 2007 Chicago Vintage Drum Show. Master drum craftsman Johnny Craviotto (Craviotto Drums) teamed up with master drum craftsman Adrian Kirchler (AK Drums) to create the Craviotto Drums/AK Drums Diamond Series snare drums.
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In the 1970s, very few of these drums were made with brass shells. The Cut Badge snare has two distinct features. One is the B or BR stamped near the muffler. The other is the modified blue and olive badge.
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I’m calling this my “Cab Calloway” Set. In my opinion, this set is the epitome of vintage Jazz sophistication and elegance. I have been working on it for a year +.
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This is regarding the drum set in the 2 of the late Itsuzo Sumy's photos from the exhibition of his work in the Town of Chester in the S.E Adirondacks of New York State. From Town of Chester historian, Donna Lagoy: The man playing them in the photo is William Walkup. His son, Bill bought the drums 2nd hand from an unknown person.
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Like many of you, I've come upon a good number of orphan drums through the years of collecting, buying and playing. This kit consists of orphan drums that were either included with kits purchased or just purchased to add on. But some with the hopes to piece an entire kit together (which is still possible!). But what is special about these drums is that they are all very rare and hard to find sparkling pearl wraps in pristine condition by the Great American Drum Companies of yesteryear.
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All my items I have listed on DrumSellers.com have been repriced with “or best offer”. This includes all snare drums, drum sets, cymbals of mine and of those consigned to me by Steve Johnson, Tom Boyle, John Dittrich, and Jason Cooper. Well over 300 cymbals, 50 snare drums and several drum sets. This
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The term beater is usually applied to old cars that are beat up and butt ugly but are reliable and run well enough to get you to work and back. I’ve had several beater kits over the years that fit that description. You know - that beat up old kit that you take to that outside festival gig in case it rains, or to the “jam night” gigs instead of taking your nice kit. You don’t care if it gets rained on, or if beer gets spilled on it, if someone else plays it, or if it gets scratched up – it’s already scratched up.
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…how did this Leedy wrap from 1940-41 end up on a 1951 Leedy & Ludwig snare drum?
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Now remember I am Canadian so when you total up my bid, the exchange, shipping and duty the
drum cost me CAD $2860.41.
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My good friend Matt Brennan owned this set. He had purchased it at the Chicago drum show a few years ago. He fell in love with them just like I did when I saw them for sale on Facebook. He had enjoyed having them and had replaced the heads. He had cleaned them up to a very nice level and had also played them some. They are not the set you would gig on every week, but for special occasions they are the ticket. Matt had bought a car that he wanted to restore and he looked around at his treasures to see what he could turn in to cash for the project. I have done it many times myself. I have also sold things I wish I had kept.
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The first book-length study of its kind, Drumsville! The Evolution of the New Orleans Beat is a companion to the New Orleans Jazz Museum exhibit that traces the history of drums and drumming in New Orleans from Native People to today. A main goal of Drumsville! is to provide the keys to understand how this legacy led to the creation of the drum set, an instrument so pervasive that few people question its origin
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For many years my wife put up with 50 snare drums on stands in the dining room and 200 snare drums on custom shelves in the entry way of our home so a new kitchen, dining room, living room and master bathroom were long overdue.
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*A little Marvel Model history from Rob Cook's book THE LEEDY WAY: "The
Marvel Snare Strainer was Leedy's first attempt at a strainer that would
keep the snares under tension when released.
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This study reviews data gathered from a representative sample of Stop Sign Badge and first version Square Badge Gretsch drums produced from about 1970 through about 1981
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Olympic Drums in Portland Oregon has a wonderful selection of vintage drums for collectors and players alike. I recently purchased 3 Ludwig & Ludwig snare drums that particularly caught my eye. The New Era, Stipelgold and Gold Flash were rare finds and perfect additions to my wood snare drum collection.
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The set I am featuring in this issue is a completely restored 1960s Ludwig Set in beautiful red glass glitter. The bass drum is 20X14, the mounted tom is a 12X8, the floor tom is a converted marching drum 15X12. The snare is a Jazz Festival. The rail consolette works great and all the chrome is in great shape. It is a very pretty set with the glass glitter wrap. Red sparkle looks great, but red glass glitter just pops. I have a humorous story about this set I would like to tell you.
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Those who lived in the Eastern Block in the communist era have different recollections of those days. Some miss them, some curse them. I am too young to remember it well, but what I do know is that it wasn’t very pretty. Communism was very efficient at sucking creative juices out of those less persistent, as well as the will to do things that weren’t widely accepted in the society.
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Just how common are the various wraps and finishes that Gretsch used on its vintage drums? This study reviews data gathered from a representative sample of Round Badge Gretsch drums produced from about 1962 through about 1969.
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On view at The Memphis Drum Shop -- Joe Morello's legendary 'Take 5' ride cymbal displayed in all of its historical significance. The provenance is without question.
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I have spent countless hours looking at Mod Orange sets and saving pictures of them. I have been to countless drum shows as well as music stores and in the last 30 years of looking, have probably seen no more than 10 sets in Downbeat sizes.
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