Micro Practice
We do ‘micro practice’ all the time. We work on a single thing: single strokes, double strokes, lines from Stick Control and the like. Why? Because it works. Reducing our focus to a single item reaps big rewards. When learning a new figure, I will often take a 2-beat or even a 1-beat section and work on it exclusively. Then, when I tackle the whole thing, I’ve got a good handle on each part.
Read moreMy first introduction to Tony Williams was the Miles Davis album 'Miles in Europe.' Inconceivable to me that Tony was keeping time. He was playing his 'parts' (yes, plural) 'within' the time. (And killing it!) Elvin Jones with John Coltrane? More plural 'parts' within the time. (And more killing!) Max Roach played pstterns and melodies. Jimmy Cobb often played straight quarter notes on the cymbal. To me, that was his part in the music. And so on.....
Read moreWhen I was a kid, after hours trying to develop an open double stroke roll, I got a great feeling when suddenly discovering I achieved the ability to play clean, even, and fast double strokes with its resulting machine gun effect. The same holds true for many other aspects of learning to play my instruments.
Read moreIt's always a good time to work on bass drum doubles. I find the first page helps with the timing and execution.
Read moreMany drummers feel “uneasy” when having to read a piece in sixteenth time. The uneasy feeling has to do simply with the fact that there’s not much in the way of reading exercises when one is first developing the skill to read rhythm. And the music can look a little frightening if there’s a lot of sixty fourth notes. But you can think of sixty fourth notes in sixteenth time as no more than sixteenth notes quarter time.
Read moreI thought I’d take some basic rock beats and render them in 5/4. I’m having fun with the result.
Read moreHaving to read combinations of rhythm that are divided by two to a beat then three to a beat within the same bar can sometimes represent a significant problem for beginning students.
Read moreI’ve found that many drummers have difficulty when a drum arrangement is full of tied notes. No doubt one of the reasons has to do with the lack of practice reading material with tied notes in drum books.The rhythm in the following etude is simple, but it’s replete with ties. Reading it perfectly at sight may prove challenging even for drummers experienced in reading charts
Read moreI was actually unaware that there were tiny bottles of liquor for sale--I simply assumed they were free samples given to hotels for their guests as advertisements. Before going home I took all the small bottles from the fridge thinking I would give them to friends, and packed them into my drum case with the snare.
Read moreEditor’s Note: Richard Best sent me this thing he’s been working on for his students. He’s calling it variations on the classic 3+3+3+3+2+2 rhythm. There are two rudiments within these patterns.
Read moreThe following article shows what I consider 40 basic two-way coordination patterns between the eighth note rock cymbal pattern and snare drum using sixteenth notes.
Read moreThe Single Stroke Four, which I prefer to call the Four Stroke Ruff, is one of the most lovely-sounding rhythmic embellishments played by drummers when executed perfectly, either with brushes or sticks. And it is used quite often by most players. But the ruff is not easy to perform exactly right every time. I’ve heard even top-notch drummers mess it up once in a while. The exercises below will go a long way in helping any
drummer develop or polish up this wonderful rudiment.
Read moreSo, I have an invention. I wanted to get a prototype made from my sketches and got a quote of $250 to have a one 3D printed. I thought that was pretty good and I was all set to commission the work. Then I got talking to a friend who is a designer and mentioned the prototype and the cost. He said he’d just bought a 3D printer for $300. Well that was enough to send me off in a totally different direction.
Read moreScott Johnson’s Drum Tuning Bible has been on the www for probably 25? years. I am publicizing this because it is an exhaustive resource and very useful to those who have questions about tuning drums. Johnson writes about every possible method of tuning, head choices and combinations, and dampening devices without bias toward any of them.
Read moreDeveloping the skill to play accents helps to strengthen your hands in order to build technique. Moreover, accents are an essential part of playing breaks and solos. Whether it’s rock, jazz, latin, marching or classical music, accents have an important role to play. The following etude is named , ACCENTUATION. It’s from my book, DUET YOURSELF BOOK TWO. The rhythmic makeup couldn’t be simpler since the etude is all with eighth notes. At first glance it’s deceptively easy, but working up the etude to speed without making mistakes might prove a little tricky for some readers.
Read moreI have a habit of ranting against the rudiments. Of course I'm referring to the classic rudiments of military origin. The point I usually try to press home is that many of the ‘standard’ rudiments are rather hard to apply to the drum set and others rarely fit modern music.
Read moreI'm a stickler for clean technique and a clean sound. I like to hear every stroke, every tap, every nuance, so I spend a lot of time on articulation to enhance my control and to refine my sound. And then someone like Stanton Moore comes along and raves about something he calls “the slop”. You can hear it in his playing, especially in his second line shuffle, where the strokes seem to just slosh around joyously. And boy does it cook!
Read moreJoel explains how the swing ride pattern is played differently at different tempos.
Read moreThe first book-length study of its kind, Drumsville! The Evolution of the New Orleans Beat is a companion to the New Orleans Jazz Museum exhibit that traces the history of drums and drumming in New Orleans from Native People to today. A main goal of Drumsville! is to provide the keys to understand how this legacy led to the creation of the drum set, an instrument so pervasive that few people question its origin
Read moreGreat podcast episode with Joel Rothman who, at 84, is still kickin’ and sharing his experiences as a life long drummer.
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