Let’s talk about buying vintage cymbals and caring for them.
The first thing I do when I’m inspecting vintage cymbals is check the outer edge for chips, nicks, flea bites and bends. First visually, then by touch, running the end of my index finger completely around the edge in both directions. Then I do the same with my fingernail. The reason for this is the next step is more apt to picking up flaws then the prior.
Then I hold it up to a very bright light or preferably the sun to check for cracks or pinholes.
I then check the center hole very carefully using the same method of visual-to-feel again trying to discover any hidden flaws or cracks.
Third and last, I hold the cymbal using my left index finger as a cymbal stand and I smack it with my right hand then move the edge of the cymbal above and below my left ear, staying very close to it, to rule out any sonic anomalies (cracks)(you can hear them doing this, try it).
Some things can be repaired, others can not. In the case of flea bites, chips and knicks, I can and do repair these at Studio 3T, It’s time consuming and lots of elbow grease but worth it. When the edge is restored properly it will give the cymbal much greater longevity.
Flea bites, chips and knicks are the starting point of unrepairable cracks. Which brings me to my next point.
On the road or in the studio your cymbals should only go from your case/bag to your stand and vise versa. Never sit them on the floor or anything else for that matter on edge. If you do have to temporarily sit them somewhere very gently sit them on the bell, never the edge.
I have a motto: in their place or in their case.
This will prevent unnecessary damage and help prolong one of your biggest gear investments.
Cleaning is a personal preference. I generally clean vintage cymbals when I first acquire them especially if they are exceedingly filthy. After that and for years to come a simple monthly dusting is all I require for maintenance.
I hope this helps.
Stay tuned...🥁
Edward Tucker
Fate Up
Studio 3T