I’ve started a video series in conjunction with Memphis Drum Shop; “Five Minute Lessons with George Lawrence”. Each video is a five minute or so lesson on how to play a groove, a fill, a rudiment, a pattern, etc. The concept came from drummers asking me “How did you play that”, referring to some short lick I played, and how I showed it to them.
Here is the second video in the series "5 minute Drum Lessons w George Lawrence" shot at Memphis Drum Shop . We are publishing once a week on Saturdays. Hopefully there will be many more to come.
Here is the first of 8 videos in the series "5 minute Drum Lessons w George Lawrence" shot at Memphis Drum Shop . We are publishing once a week on Saturdays. Hopefully there will be many more to come. This can also be found on MemphisDrumShop.com. Just scroll down the front page.
a bass player I know dropped off a couple items that he no longer wanted. One being a brass snare shell made by the Advanced Drum Co.
The creation of a Transnare drum involves a combination of traditional luthier techniques and modern equipment, such as CNC machines. The entire process, from initial design to the final product, takes several months to complete. In many cases, I build custom jigs and fixtures to perform specific tasks during the drum’s construction.
I’m featuring a great album by a bassist this month, Tom Kennedy, not just because he is a great bassist and a musician, but also because one of my favorite drummers, Dave Weckl, is playing on the album. Weckl
I got a call from producer Bobby Colomby, former drummer for Blood Sweat and Tears, to play on this recording by the band Pages in L.A. in 1979.
Drummers! You must hear this music. Besides Shrieve’s incredible drumming, the sound of his drums is SOOOO good and big on this recording. The ambience and depth of the soundscape is hypnotic, entrancing. Captivating heavy grooves that defy categorization. You will want to listen to this masterpiece on a very high end stereo system or studio quality headphones.
How to make a professional quality snare drum out of Popsicle sticks, tongue depressors, and craft sticks (sticks that at least look kind of like popsicle sticks anyway), including the drum shell, drum lugs, snare strainer/throw mechanism, and butt plate. by hand, the drum is constructed, finished in violin spirit varnish.
This one has me stumped. I’m not an authority on DW even though I was a dealer since 1985 and bought one of the first kits made. I’m thinking this is one of the first, if not the first, badge of kits made in the Fender plant in Encenada Mexico.
My philosophy on snare drum tone and tuning is that the snare drum heads should be tuned as tight as possible, top and bottom. The shell will provide the most responsive and optimal tone with the heads tuned “tight as a drum”. Buddy Rich said, "I don't tune them, I tension them. There's a great difference” and, of course, he had the archetypical snare drum sound, especially after the advent of plastic heads.
Over the years, I acquired many collectable drums, cymbals, stands and pedals, percussion instruments, gadgets, etc. I have gone through two “purges” of selling my collections. What’s left are my favorite things - some new, some old.
I have wanted this drum for a long time but they became increasingly hard to find after they were discontinued.
Then Mose turned to me and said, “Here’s the drum rap. No hi hat on two and four, no sidestick, and when you solo just play as long as you want to and you can either stop and I’ll start the rest of the song or you can try to cue us in.” OK, I’m thinking let me unlearn, in one night, everything I know about playing jazz drumming that I learned at North Texas State University .
To win your pair of the Excelsior Drum Sticks, or your choice of any of John Crocken’s stick models, send an email to John at jc@mybrandbuilders.com with ‘EXCELSIOR Stick Contest Entry’ in the subject line and your mailing address, phone number and email in the body
When I saw that this drum had been listed on DrumSellers, it was so striking and beautiful that I requested one for review.
Richard Best, who is one of our NSMD columnists, has invented a nifty little drummer’s helper device that is designed to loosen or tighten wing nuts. I keep one in my stick bag now
Thus my Rosebud: Like Citizen Kane’s sled named “Rosebud”, I have found the drums of my youth.
I recently bougth a Staccato kit in bop-sizes. I've researched the he** out of this but cant find much. Reach out to the family of Pete T, with no Lucky, and wrote to Micha in Germany as he is supposed to be a wizard. No luck there either.
This book is the most exhaustive and well written documenting of any drummer ever written. It’s the story of the man who conceived the modern drum set as we know it, and led the way for us all to play drum solos and be in the spotlight.
“Throughout his career — the live performances, studio recordings, method books, videos, drum-solo compositions, teaching — Ralph eschewed the usual trappings of success, and maintained his customary integrity and humility. He was an outstanding leader and soloist, with the sensibility of an ensemble player. He never flashed his superpowers, though he had many: flawless technique, stylistic versatility, laser focus, adaptability, eagerness to learn, calm temperament, dedication to his students, and professionalism at all times. His keen ear and obsession with tuning his drums helped make him one of the best sounding drummers on record.” -Ruth Underwood
i endorse Crocken Drum Sticks. No one else hand crafts sticks like these and nothing else feels like them. As Mr. Crocken says, they are fun to use. -George Lawrence
Episode #3 of 5 minute lessons with George Lawrence. This is a linear groove that Steve Klink taught me when I was teaching at Fork’s Drum Closet in the nineties; The Garibaldi Seven.