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This is my very first Gretsch set and I finally own a kit made in NYC - Brooklyn, as a matter of fact, during the heyday of round badge Gretsch drum manufacturing. This is one of the most beautiful drum sets I have ever seen. The kit can look yellow, gold, red and orange depending on the lighting. I personally think it looks best in plain daylight.
Read moreThis snare drum is a 1950s WFL COB No.400. For those unfamiliar, COB is chrome over brass. What makes this drum so special is this drum is the earliest version with the WFL badge. You don’t see many with this badge as very few were produced. It is the first metal snare drum cataloged by the Ludwig Company after the family purchased the name back from Conn in 1955. I have read that this snare drum was seen as early as 1956 but introduced somewhere between 1957 to 1958. It is called the “Super Ludwig” and can be seen in the 1959 catalog included in the pictures below.
Read moreThe set has the 3-ply Jasper shells and flat bearing edges, which were originally designed for calfskin heads. I have read that, starting in 1963, Rogers switched to Keller shells and a new sharper bearing edge. Another cool thing on this set is that both the floor tom and tom have “tall boy” hoops which were also designed for calfskin heads.
Read more"This is one of the rarest Leedy sets you'll ever see. This set is from 1958 and consists of 9x13, 16x16, 14x22, 5.5x14 snare drum. Those wonderful mahogany/poplar/mahogany 3 ply shells with rounded bearing edges. And the set is finished in Starlight Sparkle! As some of you may know, SS was a finish in the Gretsch line from the late 50s until circa 1962. It was exclusive to Gretsch, however, I have had one original Slingerland kit in this finish, and now we have this Leedy kit. In all probability, a customer may have requested this finish and the drum shop or Leedy called the finish manufacturer or called Gretsch and asked if they could use it for a kit. Starlight Sparkle is a finish that looks silver/gray until it is under the lights and then it looks lavender. It’s a beautiful finish. I believe Leedy referred to this as "smoky pearl". Harry Cangany did an article about this set for Modern Drummer in Feb 2011. It is one of the rarest finishes for Gretsch and it is insanely rare on any other drum set. The wrap is in great shape and the chrome is nice as well. This is an extremely rare set and it sounds wonderful”
Read moreThis is the earliest known set in existence of the finish made famous by the Beatles Ringo Starr, 8 years before Beatlemania hit in 1964. This finish first appears into the Ludwig catalog in 1959 where it can be seen on the Las Vegas Stand Up cocktail outfit. In 1956 WFL Drums biggest star endorser was the one and only Buddy Rich.
Read moreThe Superbeat is an uncataloged set consisting of the optional 20” kick with the Super Classic 13” tom and 16” floor tom. So, 20/13/16. This set appears to be a special order set as well as both the floor tom and the tom have dual mufflers, one for the top and one for the bottom heads. The bass drum also has dual front and rear sets of spurs. All these options were available when you ordered a kit back then.
Read moreBlack Panther wrap was introduced in 1968 along with the mod wraps. It first appeared in the 1970 Ludwig catalog and was offered throughout the 70s. It’s really a one of a kind wrap. It has this fake leather look to it and, personally, it reminds me of the old Marshall amplifiers which is why I like it. It is a thin material that is unlike any other wrap used by Ludwig. The most famous drummer who used this early on was Mitch Mitchell of the Jimi Hendrix Experience.
Read moreI had mentioned above that this was a floor model at the Ludwig factory. I found this to be quite interesting to be able to buy back then as such. But when I took the kit apart to smell the interiors (wink ;-) and check the date stamps, I discovered the initials BL in the drums. I could not help myself, so I reached out to Bill Ludwig III and explained what I had and the story.
Read moreVintage Ludwig Downbeats are extremely versatile sized drums no matter what the color you end up with. These kits can be tuned for a variety of music and are real easy to travel with logistically. The entire kit fits in the backseat of VW Golf! (with the seats up, NOT down).
Read moreThis is a 1965 Ludwig Downbeat set in Sparkling Burgundy Pearl. Burgundy Sparkle or “Root Beer Sparkle” (as it is sometimes called) is a finish that is not very common. So it falls under the “rare” category from a collector’s standpoint.
Read moreThis June installment of Vintage Happiness is featuring a set that had long been a bucket list item of mine. Finally this time last year I was able to locate one in excellent condition.
Read moreThis set is a 1947 WFL Big Time kit with the sizes 14x26-16x16-9x13-6.5x14. One cool and unique factor was this kit had all working, no issues, original WFL Zephyr lugs - even offset version lugs on the tom. Most of the time these old lugs have issues with the threading. Fortunately for me there are no issues.
Read moreThe Ludwig Standard line of drums were introduced in 1968 to be a lower end priced kit to compete with the flood of imports that were coming in at the time from overseas.
However, the great thing is that, like the Club Dates, you were getting the same shell found in the classic line shells of that time, just with different hardware (less expensive to cut costs).
Read moreThis month's kit is a beautiful Ludwig Club Date from 1964. As you can see, it's Sparkling Red Pearl which is fitting for Valentine's Day. This kit came to me from a great vintage drum dealer out of the Midwest - Randy Houck Vintage Drums. He has amazing kits from all manufacturers and was a pleasure to do business with.
Read moreThis is one of those kits that you dream of finding and it actually found me. I run an ad on the local Craig’s List looking for vintage drums. One day I get an email from an older gentleman telling me about this kit he may want to sell......
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